® Masthead
Global AmbassadorsFashionHarp Calling All the Big Names
The ® Masthead is a publicly accessible tribute to the pioneers of fashion, photography, and visual arts. Developed as part of FashionHarp’s evolution into a non-profit cultural platform, it serves as a living archive of creative legacy—curated and sustained by a global network of professionals, volunteers, and sponsors.


Editorial
September 2025
Fashion
Gabrielle Moreau — Global Fashion Director
Tasha Mensah — Fashion Director
Delphine Armitage — Features Director, Fashion
Carlos DeVries — Senior Runway Editor
Andre Kingston — Menswear & Tailoring Editor
Sienna Cho — Accessories & Jewelry Editor
Amira Khalil — Trends Editor
Bianca Mendez — Lifestyle & Culture Editor
Elle Mancini — Weddings & Personal Style Editor
Beauty
Camille Dufresne — Beauty Director
Rachel Kim — Senior Beauty Writer
Fiona Zhao — Beauty & Grooming Editor
Anthony Delgado — Culture & Identity Editor
Samantha Ravin — Engagement & Wellness Editor
Sustainability
Leo Farrow — Home & Interiors Editor
Cyrus Abdel — Sustainability & Innovation Editor
Kiana Murden — Shopping & Trends Analyst
Cortne Bonilla — Style & Essentials Editor
Video & Live Streaming
Yana Dark – Leads studio productions
Sofia Orlandini – Oversees video strategy
Marco Bellini – Senior fashion editor, video
Chloe Jasmine Whichello – Digital video editor
Solomia Heineken – Manages live coverage
Milo Ferreira – Directs livestream events (invented)
Kaori Nishida – Interactive stream editor (invented)
Editorial
September 2025
Social Media
Patrick Sullivan — Head of Digital Strategy
Rachele Alessandrini — Global Social Strategy Director
Paris Morgan — Campaigns & Content Director
Mina Shah — Audience Engagement Manager
AJ Rivera — Instagram Live Editor
Taylor Lashley — TikTok Fashion Editor
Lani Kim — Reels & Shorts Manager
Samantha Ravin — Engagement & Polls Manager
Keaton Wu — Trends & Hashtag Analyst
Elise Navarro — Newsletter & Digest Editor
Harper James — Community & Street Style Director
Street Style & Trends
Maya Dupont — Street Style Editor
Marco Chiarantini — Lead Photographer, Street Style
Diego Marin — Global Trend Photographer
Anika Bloom & Trey Monroe — Trend Spotting Specialists
Samantha Ravin — Street Style Video Correspondent
Rachel Bridenbaugh — Field Correspondent
Regional Street Style Leads
Los Angeles — Taylor Rashad
Paris — Marcus Reed
Seoul — Hana Lee
Berlin — Omar Adibi
Maya Dupont — Street Style Editor
Marco Chiarantini — Lead Photographer, Street Style
Diego Marin — Global Trend Photographer
Anika Bloom & Trey Monroe — Trend Spotting Specialists
Samantha Ravin — Street Style Video Correspondent
Rachel Bridenbaugh — Field Correspondent
Regional Street Style Leads
Los Angeles — Taylor Rashad
Paris — Marcus Reed
Seoul — Hana Lee
Berlin — Omar Adibi
Global Editorial Contributors
Freja Nielsen — Editor, Europe
Haruto Yamamoto — Editor, Asia-Pacific
Paloma Reyes — Editor, Latin America
Dalia Said — Editor, Middle East & North Africa
Ama Nkrumah — Africa Fashion Correspondent
Fashion Week
Isaiah Romero – Oversees live event coverage
Valentina Rossi – Directs Fashion Week content
Carter Evans – Manages industry relations
Jamie Wu – Buyer liaison
Reina Ortiz – Designer relations
Rhea Collins – Backstage coverage
Noa Blake – Manages global show calendar
Olivia Hahn – Coordinates accreditation
Kazuo Endo – Edits logistics (invented)
Luciana Greer – Manages designer schedules (invented)
Tomas Bellerin – Coordinates affiliate timing (invented)
Regional Editors:
NY: Ivana Torre | Paris: Livia Monroe
London: Zion Avery | Milan: Chloe Baines
Seoul: Emiko Tan | Tokyo: Yumi Takahashi
Editorial
September 2025
Retail & Partnerships
Arielle Fox — Director, Buyer & Retail Partnerships
Jason Leung — Guest Experience & VIP Manager
Talia Chen — Retail Integration & Press Coordinator
Aliyah West — Digital Shopping Content Director
Dani Cabral — Luxury Market Editor
Tori Amari — High Street Shopping Writer
Concetta Carlo — Associate Shopping Producer
Luca Carbone — Global Buyer Coordinator
Tara Menon — Brand Partner Relations Lead
Jin-Soo Park — Buyer Network Advisor, South Korea
Media and Editorial
Executive Director of Brand and Agency Affairs – Luca Étienne Fontaine
Director of Global Creative Strategy – Mei-Lin Rivera James
Partnerships Curator, Art and Commerce – Jasper Kelechi Okoro
Corporate Engagement and Industry Relations
Freja Nielsen — Editor, Europe
Haruto Yamamoto — Editor, Asia-Pacific
Paloma Reyes — Editor, Latin America
Dalia Said — Editor, Middle East & North Africa
Ama Nkrumah — Africa Fashion Correspondent
Vice President of Strategic Alliances – Nadège Amara Chukwu
Director of Corporate Relations and Innovation – Elliot Ji-Hoon Kwon
Industry Engagement Manager – Vihaan Suresh Patel
Brand Strategy and Creative Partnerships
Executive Director of Brand and Agency Affairs – Luca Étienne Fontaine
Director of Global Creative Strategy – Mei-Lin Rivera James
Partnerships Curator, Art and Commerce – Jasper Kelechi Okoro
Editorial
September 2025
Cinematic Arts and Content Creation
Creative Director of Cinematic Projects – Imani Celeste Devereux
Lead Visual Architect for Fashion Narratives – Rafael Alejandro DomÃnguez
Director of Artistic Collaborations – Kaori Emi Nakamura
Education and Talent Development
Director of Fashion Futures and Educational Initiatives – Tariq Abayomi Mensah
Program Director for Learning and Development – Juliette Claire Moreau
Global Coordinator for Mentorship and Masterclasses – Samira Noura El-Tayeb
Market Intelligence and Competitive Strategy
Chief Strategy and Foresight Officer – Matteo Alaric Sinclair
Senior Analyst for Global Fashion Intelligence – Aisha Soraya Kaderi
Coordinator for Competitive Landscape and Trend Analysis – Noah Elias Thorne
Vice President of Strategic Alliances – Nadège Amara Chukwu
Director of Corporate Relations and Innovation – Elliot Ji-Hoon Kwon
Industry Engagement Manager – Vihaan Suresh Patel
FashionHarp Global
- Yana Dark – Leads studio productions, Zwitzerland.
- Rachele Alessandrini — Global Social Strategy Director, taly.
- Chloe Jasmine Whichello – Digital video editor, England.
- Solomia Heineken – Manages live coverage, New Zealand.
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Connect with: Madonna Angelina Jolie Nicole Kidman Brad Pitt Leonardo DiCaprio Jennifer Aniston Julia Roberts Scarlett Johansson Charlize Theron Anne Hathaway Kate Winslet Robert De Niro Naomi Campbell Cindy Crawford Christy Turlington Linda Evangelista Claudia Schiffer Kate Moss Gisele Bündchen Liu Wen Donatella Versace Giorgio Armani Anna Wintour Tom Ford Marc Jacobs Miuccia Prada Vera Wang
Inspired by Demarchelier
Guided by the legacy of Patrick Demarchelier, the Masthead reflects his belief that creativity outlives celebrity. His timeless work with Vogue and global fashion houses continues to inspire our commitment to honoring enduring talent.
From Princess Diana and Naomi Campbell to Donatella Versace, Anna Wintour, and Angelina Jolie, the Masthead features a constellation of verified contributors who have shaped the creative direction of modern fashion.







Since 1996
Verified Partnerships
Each name represents a verified Creative Partner—designers, editors, actors, stylists—who have made a lasting impact. All entries undergo a strict review process to ensure authenticity and integrity.
This is not a static archive—it’s a living record. New creatives are added as their work is verified, maintaining a link between fashion’s past and its evolving future.
Connect with: Madonna Angelina Jolie Nicole Kidman Brad Pitt Leonardo DiCaprio Jennifer Aniston Julia Roberts Scarlett Johansson Charlize Theron Anne Hathaway Kate Winslet Robert De Niro Naomi Campbell Cindy Crawford Christy Turlington Linda Evangelista Claudia Schiffer Kate Moss Gisele Bündchen Liu Wen Donatella Versace Giorgio Armani Anna Wintour Tom Ford Marc Jacobs Miuccia Prada Vera Wang
Honoring Fashion’s Creative Legacy
The FashionHarp® Masthead is a curated tribute to the visionaries who shaped the world of fashion, photography, and visual arts. Launched in 2017, it emerged as part of FashionHarp’s evolution into a non-profit cultural platform.
Inspired by Demarchelier
Guided by the legacy of Patrick Demarchelier, the Masthead reflects his belief that creativity outlives celebrity. His timeless work with Vogue and global fashion houses continues to inspire our commitment to honoring enduring talent.
Honoring Icons
From Princess Diana and Naomi Campbell to Donatella Versace, Anna Wintour, and Angelina Jolie, the Masthead features a constellation of verified contributors who have shaped the creative direction of modern fashion.
Verified Partnerships
Each name represents a verified Creative Partner—designers, editors, actors, stylists—who have made a lasting impact. All entries undergo a strict review process to ensure authenticity and integrity.
Evolving Legacy
This is not a static archive—it’s a living record. New creatives are added as their work is verified, maintaining a link between fashion’s past and its evolving future.
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Local Moving
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Long-distance Moving
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Packing Services
Storage Services
Furniture Assembly
Preserving Culture
Inspired by Demarchelier’s respect for quiet talent, the Masthead recognizes those both in the spotlight and behind the scenes. It honors the unseen hands that define fashion’s most iconic moments.
1996
The Thread That Never Breaks: The FashionHarp® Story

FashionHarp®
In fashion, legacy is not merely preserved—it is interpreted. The images, garments, and ideas that define a moment must evolve to remain alive. FashionHarp® was founded upon this principle: that the voices of visionaries must endure not as echoes of the past, but as living, resonant threads within the culture of today.

Act II: A Platform Is Born
In November 2006, Ready to Wear was publicly unveiled as FashionHarp®—a name as deliberate as a couture stitch. The harp, long a symbol of clarity, elegance, and resonance, reflected the platform’s core mission: to string together creative legacy across disciplines, geography, and generations. From its earliest days, FashionHarp was conceived not as a traditional website, but as a cultural channel—a curated, editorial stage for those shaping fashion and visual art. With headquarters in Italy and creative nodes in New York, Paris, Milan, and Tokyo, it quickly emerged as one of the first digital platforms to broadcast fashion film, editorial narratives, and global creative voices with curatorial precision. Unlike platforms that aggregated content, FashionHarp cultivated it—welcoming not only the icons of fashion but also the apprentices, the archivists, and the emerging vanguard. It operated at the pace of reflection, not acceleration. It spoke the language of beauty, not noise.

Act IV: After Karl
In February 2019, the world bid farewell to Karl Lagerfeld. The silhouette—black tailoring, powdered hair, dark glasses—had become instantly recognizable. But his deepest legacy was not image. It was reinvention: of garments, of houses, of language, of self. FashionHarp mourned the loss, as the industry did. And then—as Lagerfeld himself would have required—it carried on. From that moment emerged a new chapter. FashionHarp expanded into FashionHarpTV+®, broadened its editorial reach, and commissioned the FashionHarp® Masthead—a living tribute to the architects of visual culture. The Masthead is not a static memorial. It is an evolving ecosystem of legacy—populated by professionals, artists, volunteers, and cultural contributors from around the world. Through it, the past remains in motion: through tributes, retrospectives, unreleased archives, and new works inspired by those who came before.

Act I: A Harp Is Tuned
It began not with a collection, but with a question: What remains after the lights dim, the shutters close, and the season moves on? In the summer of 1996, Karl Otto Lagerfeld—one of the most prolific and transformative figures in fashion—sought to protect and organize his body of work in a way no physical archive or traditional format could offer. At a time when digital platforms were in their infancy, Lagerfeld envisioned something bolder: a living digital space, dynamic and enduring. The project was quietly named Ready to Wear (RTW)—a digital structure designed to catalogue sketches, fittings, photographic sessions, and studio ephemera. It was a private tool at first, but even in its earliest form, it hinted at something more: a virtual arena where fashion, photography, and creative memory could not only be preserved, but performed. In this act of digital authorship, Lagerfeld was not only a designer or photographer—he was an archivist of vision. And the archive, it turned out, wanted to speak.

Act III: The Harp & The Fan
In 2014, FashionHarp introduced one of its most conceptually ambitious projects: The Harp & The Fan. Designed as an interactive fashion experience, it adapted in real time to each viewer’s digital identity—shifting visuals and narratives based on their movements, tastes, and online behavior. It was a meditation on couture as code, on identity as interface. The story behind its origin has since become part of FashionHarp’s creative lore: a gift, left anonymously for Lagerfeld, on a USB engraved with a harp. Inside: a film, an algorithm, and a message—unsigned, save for the symbol of a fan, a poetic counterpoint to the harp. That moment—part legend, part manifesto—embodied FashionHarp’s ethos: not a brand, but a creative organism. Open to contradiction. Rooted in contribution. Alive with possibility.

Act V: The Story Continues
Today, FashionHarp® stands as both a platform and a cultural foundation. Led by a dedicated team of editors and creative directors—including Roy Bushmann, Leya Moghraby, Rosa Fusco, Chloe Jasmine, Rachel Bridenbaugh, and Cindy Koopmans—it continues to honor the original intent: to protect, inspire, and amplify creative legacy. It is open to all who contribute to the visual fabric of fashion—designers, photographers, stylists, models, image-makers, thinkers, and archivists alike. Through tools such as the Global News Feed, personal creative profiles, and curated collections, it remains a place of belonging, reflection, and authorship. It is free to use. And impossible to forget. The Thread That Never Breaks FashionHarp is not about nostalgia. It is about resonance. Every image shared, every story retold, every legacy remembered is another string drawn across the instrument. Played together, these threads do not form a history lesson. They form a future—harmonized, human, and enduring. Because fashion is not merely what we wear. It is how we remember. And FashionHarp® is how we remember—beautifully.